A review of the 1942 classic movie “The Magnificent Ambersons”
When Orson Welles signed a two-picture deal with RKO Pictures in 1940, the result was the acclaimed masterpiece “Citizen Kane” followed by the butchered masterpiece “The Magnificent Ambersons”. Again Welles wrote, produced and directed, but this time he did not star – in fact, it was the only film that he ever directed in which he did not act – although he was the narrator.
The film is an adaptation of the 1918 Pulitzer Prize-winning novel by Booth Tarkington and narrates the decline of a family and a lifestyle at the end of the 19th and the beginning of the 20th century, as epitomised by the replacement of the horse-drawn carriage by the automobile. It is a film about decline and nostalgia for the past and it is full of the virtuoso camerawork which made Kane so famous, such as a long, moving shot in a ballroom sequence.
As originally crafted by Welles, the film ran for 148 minutes. By the time it was released, it was only 88 minutes – as well as savage cutting which makes the storyline somewhat disjointed and sometimes hard to follow, the whole tone of the movie was changed by the studio to make the ending more up-beat. All this was done while Welles was down in Brazil and without any consultation with him. The director later opined that the studio had destroyed his work and, in doing so, had destroyed him.