A review of the new money-making movie “Barbie”
This is clearly a movie aimed at a young female demographic and, as an elderly man, I am way outside the target audience. But I wanted to see it because it has already become a massive success, about which so many are talking and writing, and because I so admire many of those involved in it. I am a fan of the work of Greta Gerwig and Noah Baumbach (I have seen most of their films) and this is a work that they co-wrote with her as director. Also I always enjoy the performances of Margot Robbie and Ryan Gosling who here play (Stereotypical) Barbie and (Beach) Ken respectively.But this is a film unlike any that any of the four have previously been associated with – effectively a two-hour commercial for a brand of dolls (manufacturer Mattel actually funded the whole enterprise) and a light-hearted feminist tract. Robbie is perfect casting as the titular toy and Gosling is brave to take on such an emasculated role. There is lots of smart casting in this ensemble production.
I loved the opening sequence with its referencing of the sci-fi movie “2001”. Throughout it is looks gorgeous, with lots of bright colours (including pink!), and there is an endless stream of visual and aural gags.
The problem is that the script is such an uncomfortable balancing act. If the real world is a patriarchy characterised by misogyny, Barbie is a matriarchy with something approaching misandry. I am reminded of the observation by the feminist Germaine Greer: “The opposite of patriarchy is not matriarchy but fraternity”. In the end, “Barbie” does not know where it stands and how it should end. But maybe I’m taking it too seriously …