A review of the 1931 classic German film “M”
German cinema in the 1930s gave the world some striking and innovative work and this thriller directed by Austria-born Fritz Lang is one of those classics. It is notable both for the unusual subject matter and the humanistic approach to that subject and for the original use of sound in its storytelling.Loosely inspired by the criminal case of serial child killer Peter Körten, it portrays the attempts by the local police, the criminal underworld and the general public to apprehend a child molester played by Peter Lorre. The presentation is surprisingly modern in not demonising the killer but instead showing how the murderer is himself the victim of uncontrollable forces and – again in modern style – we are offered an ending which is inconclusive and open to some interpretation.
This film was made shortly after the arrival of sound when cinema was still in a state of transition. So the work looks back to the silent era in the somewhat exaggerated acting style of Lorre and the occasional slapstick behaviour of police characters. But it embraces sound in a limited way so that, outside the actual dialogue, there is little of what is called diegetic sound (that is, sound that emanates from the storyworld of the film). Sound also plays a role in identifying the killer since he frequently whistles a tune from Edvard Grieg’s “Hall Of The Mountain King”.