A review of the delightful new film “Lady Bird”

It is such a rarity – but a delight – to see a maintstream movie both written and directed by a woman. As well as being a fine actress, Greta Gerwig has written before (notably “Frances Ha” and “Mistress America”) but this is her directorial début. Astonishingly (but deservedly), at the age of just 34 this made her only the fifth woman in history to be nominated for a Best Director Academy Award and the first to be so honoured for her directorial début (but she did not win).

It is also uncommon – but again a pleasure – to have a leading role in a film with a decent budget taken by a young actress. Here Irish Saoirse Ronan plays the eponymous 17 year old American senior year high school student in this coming-of-age story. We first saw Ronan in “Atonement” but she has since proved to be an outstanding talent in work such as “Hanna” and “Brooklyn”.

“Lady Bird” is clearly semi-autobiographical territory for Gerwig: the central character’s real name is Christine (the name of Gerwig’s mother); the narrative is set in the early 2000s when Gerwig herself was a teenager; and, like Christine, Gerwig went to a Catholic high school in Sacramento before studying at a liberal arts college in New York City.

But Gerwig does not romantise her central character who has acne and a poor hair dye and exhibits selfishness and anger as well as charm and humour in a narrative that is at turns poignant and funny but always engaging. Although the focus is on one girl in one year, the supporting characters – notably Lady Bird’s parents and four friends (two girls and two boys) – are well-cast with Laura Metcalf especially impressive as the hard-pressed mother. In short, a rare treat of a movie which, at just 93 minutes, never overstays its warm welcome.


 




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