A review of the new, award-winning film “Marriage Story”
December 8th, 2019 by Roger Darlington
This is the fifth film that I have seen written and directed by Noah Baumbach, so I know to expect something different in terms of both subject and style, and “Marriage Story” is his best work to date. In spite of the title, it is essentially a story of divorce but it cleverly interweaves the story of the marriage so that, in the end, it is a kind of love story.
The couple in question are brilliant theatre director Charlie and talented actress Nicole and Adam Driver – who has now worked with Baumbach four times – and Scarlett Johansson are simply brilliant in these leading roles. One particularly heart-breaking scene has them tearing into each other in a laceration reminiscent of “Who’s Afraid Of Virginia Wolf?”
What makes the divorce so difficult is the custody battle over their eight year old son Henry and one cannot help recalling the film “Kramer vs Kramer” of 40 years ago. What makes the divorce so bitter is the combative role of the lawyers: Alan Alda and Ray Liotta are impressive as the good cop/bad cop pair battling for Charlie, while Laura Dern is superb as counsel for Nicole with a wonderful mini-speech about the Virgin Mary.
An important feature of the storytelling is that Baumbach does not take sides as regards either the couple or their advisers but presents both perspectives in this tragedy.
I saw “Marriage Story” at London’s British Film Institute where it was followed by a question and answer with director Noah Baumbach and producer David Heyman. Baumbach underlined how his movie represents diverse genres since, at different points, it is a court procedural, a rom-com, a musical, and a screball comedy. Heyman explained that the funding of the film by Netflix had enabled such an independent work to be made with a theatrical release as well as availability through streaming.
What Baumbach did not volunteer and nobody asked him was just how autobiographical is this work. In 2013, he concluded three years of divorce proceedings with actress Jennifer Jason Leigh, the mother of his (first) son. Johansson was actually going through a divorce when she was offered the role and Dern has her own experience of divorce.
They are not the only ones. Up to half of marriages in the developed world end in divorce. Sadly I have had experience of three divorces – that of my parents and two of my own – and I myself was the subject of a custody battle at the same age as Henry, so I found the film especially resonant. But, whether you have or have not been through a divorce yourself, you will not fail to be moved by Baumbach’s powerful and poignant storytelling.
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The crisis in the older democracies
December 6th, 2019 by Roger Darlington
Democracy is not so much a stable political system as a work in permanent progress. It takes decades, even centuries, to embed in a society – but, even then, it is never settled and never totally secure.
Indeed the distinction between democratic countries and non-democratic countries is a blurred one and it is better to see nations on a spectrum from fully democratic to outright authoritarian. Positions on that spectrum can and do change, sometimes – for good or bad – very rapidly.
This is very obvious with nations that have only recently attempted democratic forms, such as Russia, South Africa, Afghanistan and Iraq.
What is much less well understood is that even the older democracies are facing serious challenges which, in some cases, amount to a crisis. Sadly this is the case in many of the nations of Europe and much of the remainder of the developed world including the United States.
These are the opening paragraphs of my website essay on “The crisis in the older democracies”.
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Please don’t confuse the Jacobites with the Jacobins
December 5th, 2019 by Roger Darlington
I’ve just finished a six-week evening course at London’s City Literary Institute on the subject of “The Making Of The United Kingdom 1603-1801”.
There was frequent reference to the Jacobites. These were people who remained loyal to the Stuart dynasty in exile, headed by the Catholic James, after the Glorious Revolution of 1688-1689 which brought the Protestant William and Mary of the House of Hanover to the throne of England and Scotland. The word comes from the Latin word for James which is Jacobus.
Then there are the Jacobins. This is the name given to the political radicals from the 1790s and it was derived from the Jacobin Club of 1790-1794. This club was the best known and the most influential of the political clubs which appeared in France during the French Revolution and British radicals were commonly sympathetic to some of the French revolutionaries.
So now you know.
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A review of the new bio-pic “Harriet”
November 30th, 2019 by Roger Darlington
Araminta “Minty” Ross was born a slave in the American state of Maryland probably in 1822 but, when she escaped to Philadelphia in 1849, she took the ‘free name’ of Harriet Tubman. As if her own escape was not remarkable enough, she subsequently made some 13 missions back south to rescue approximately 70 enslaved people, including family and friends, using the network of antislavery activists and safe houses known as the Underground Railroad.
For some years, there has been an agreement that Tubman would replace Andrew Jackson – an architect of the forced removal and slaughter of native peoples and a slave owner – on the $20 bill. The plan was that this would happen in 2020, the centenary of the right of women to vote, but the Trump administration has found reason to delay this.
It is entirely appropriate and timely, therefore, that Tubman’s story – hardly known outside the United States – should be told in a movie directed and co-written by a American black woman Kasi Lemmons. In fact, the eponymous role is filled by an actress Cynthia Erivo, who is British and black and known for her recent work in “Widows”, and she gives an accomplished performance.
Beautifully shot with some stirring gospel singing, this is an immensely worthy and rather reverential production, but sadly the presentation of the narrative as almost a series of adventures, the odd emphasis on Tubman’s visions, some unfortunate speechifyng, and the stereotypical depiction of all the characters make this a less than wholly cinematic satisfactory experience.
Link: Wikipedia page on Harriet Tubman click here
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A review of the British stage production of “My Brilliant Friend”
November 28th, 2019 by Roger Darlington
Three years ago, it took me almost three months, but I completed my summer/autumn reading project: to read the four works and 1700 pages that make up the ‘Neapolitan Novels’, an acclaimed series by the Italian author Elena Ferrante.
This is a saga of the 60-year friendship between two girls from a poor neighbourhood of Naples after the Second World War: the narrator Elena Greco, known as Lenu, who becomes an accomplished writer and Raffaella Cerullo, known as Lila, whose never leaves Naples.
The first novel in the series is called “My Brilliant Friend” and I reviewed it here. The second novel is titled “The Story Of A New Name” and you can read my review here. The third novel is “Those Who Leave And Those Who Stay” and I reviewed it here. The fourth and final novel in the chronicle is called “The Story Of The Lost Child” and you’ll find my review here.
Now that I live on London’s South Bank, the National Theatre is only a 10 minute walk away and this week, for the first time, I was at the theatre at 9.30 am to obtain cheap same-day tickets. Parts One and Two of “My Brilliant Friend” – starting at 1.30 pm and 7 pm respectively – cost me only £15 each.
The two plays take over five hours in total to cover all four Neapolitan Novels. Niamh Cusack plays Lenu, while Catherine McCormack is Lila, for the six decades of the narrative. The work is adapted by playwright April de Angelis and directed by Melly Still.
It is a hugely ambitious set of plays both in scope and style. Critics have loved it and the Canadian theatre graduate sitting by me really admired it. Even allowing for the fact that I much prefer the cinema to the theatre, I was disappointed by the work, primarily because it seemed to me to lose the essentially Italian nature of the story.
The actors use a range of accents from around the British Isles and both the music and video material are far too generic for a tale that is all about post-war impoverished Naples and the complicated relationship between two Neapolitan women.
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A review of “The Testaments” by Margaret Atwood
November 26th, 2019 by Roger Darlington
“The Handmaid’s Tale” was published in 1985 and the sequel “The Testaments” came out a full 34 years later in 2019 when it was that year’s joint winner of the Booker Prize. I reread the original novel before I went on immediately to read the sequel – such a wonderful pair of well-written and cleverly-constructed works.
“The Testaments” is set principally around a decade after “The Handmaid’s Tale” and, as well as the totalitarian and deeply misogynist state of Gilead in which all the events of the first novel occur, there are scenes in neighbouring Canada where, thanks to the Mayday organisation, some Handmaids manage to escape and a famous offspring of one of the Handmaids – Baby Nicole – is living.
There are three interesting differences between the two novels.
First, instead of one voice – the eponymous Handmaid of the “Tale” – there are three testaments: the writings of Aunt Lydia who was a stern instructress in the first novel and is now the 53 year old head of Ardua Hall, the headquarters of the powerful Aunts in Gilead; the recollections from Agnes of her life in Gilead from aged 13 to 23 during which time she leaves the home of a Commander to become an Aunt and missionary Pearl Girl; and the memories of Daisy, a 16 year old Canadian whose parents are murdered in a car explosion leading to a succession of revelations which turn her world upside down.
Second, whereas “Tale” was largely expository with little actual plot, “Testaments is full of action as the stories of the three voices converge in ways which are crucial to the future of Gilead. Third, whereas the first novel had a sudden and inconclusive ending, the sequel works its way to a clear and satisfying conclusion.
Atwood has written that an axiom of both the novels – and indeed the television adaptation of the first – is that no event in them does not have a precedent in human history and clearly the timing of publication of “The Testaments” owes something to the hostility towards women of current President Donald Trump and his administration. The novels are not a forecast but they are indubitably a warning.
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Ever heard of the Darien Scheme? Maybe if you’re Scottish …
November 25th, 2019 by Roger Darlington
I’m doing a six-week evening class at London’s City Literary Institute entitled: “The Making Of The United Kingdom 1603-1801: Restoration, Revolution, and Political Unions”. Last week’s session – the fourth – included reference to something that I’d never heard of before: the Darien Scheme.
This was a plan for the formation of a Scottish colony – New Caledonia – on the Central American isthmus of Darien (now Panama). The colony was to be managed by the Company of Scotland which was founded in 1695 to trade with Africa and the Indies. The plan was to secure part of England’s warehousing trade and to provide a market for Scottish goods.
The scheme was an utter failure, thanks to Spanish opposition, underfunding, and mismanagement, and it seriously damaged the Scottish economy.. The scandal was a key factor in Scotland deciding to unite with England in 1707.
If you’d like to know more about the ill-fated Darien Scheme, you’ll find a short essay on the BBC’s web site here.
There might be some contemporary lessons in this historic episode. In the same way that there is no economic case for the United Kingdom to leave the European Union, there is no economic case for Scotland to leave the UK. The union of Scotland and England made economic sense in 1707 and it still does today.
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When will we know the name of the Democratic opponent of Donald Trump (or just maybe Mike Pence)?
November 22nd, 2019 by Roger Darlington
There’s frustation in some quarters of the Democrat Party that there are still so many candidates seeking the party’s nomination to contest the presidential election in November 2020 and there is still no obvious front runner. Joe Biden, Bernie Sanders and Elizabeth Warren are currently the strongest contenders with Pete Buttigieg coming up strongly, but there are still more than a dozen others running and we have still had no state caucuses or primaries.
So when does actual voting start? Iowa will hold its caucuses on Monday 3 February; New Hampshire will have its primary on Tuesday 11 February; Nevada will hold its caucuses on Saturday 22 February; South Carolina will have its primary on Saturday 29 February. All of these four states are small and the first two are very white.
Delegates are awarded to candidates on a proportional basis determined by the voting so, if three or four candidates poll reasonably well in these first states, there may be no clear front runner. Biden may do badly in the early voting and his assumed support among African Americans will not help him in these four states. But he has enough money to stay in the race even if initially he does poorly.
So things may not become clearer until Super Tuesday 3 March when no less than 14 states have primaries, including huge ones like California..
Just a reminder that formally the decision will be made at the Democratic National Convention which will be held from 13-16 July 2020 in Milwaukee, Wisconsin. There will be 3,769 delegates and 4,535 including super delegates.
If you’d like to know more about the American political system, you can check out my guide.
Of course, since I’m British, I have no vote in the Democratic primaries, but I would be pleased to see Elizabeth Warren as the presidential candidate with Pete Buttigieg as her running mate. We will see …
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It’s World Toilet Day – and that’s no joke
November 19th, 2019 by Roger Darlington
4.2 billion people live without safely managed sanitation – more than half the global population.
673 million people still practise open defecation worldwide.
Globally, at least 2 billion people use a drinking water source contaminated with faeces.
Inadequate sanitation is estimated to cause 432,000 diarrhoeal deaths every year and is a major factor in diseases such as intestinal worms and trachoma.
Children under the age of five living in countries affected by protracted conflict are, on average, nearly 20 times more likely to die from diarrhoeal diseases caused by a lack of safe water, sanitation and hygiene than by direct violence.
More information here.
Posted in Environment, World current affairs | Comments (0)
The Spanish political system, general election and constitutional crisis
November 18th, 2019 by Roger Darlington
Spain has just had its second general election in seven months and its fourth in four years. Once again, no political party secured anything like an overall majority.
So, what’s going on? Read my updated guide to the Spanish political system here.
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