A review of the 1941 Hitchcock movie “Suspicion”

There is a sense in which any film directed by Alfred Hitchcock is a classic but this is one of his lesser-known works. Set in upper-class, rural England, it stars the beautiful Joan Fontaine as Lina, an unworldly young woman who falls immediately and madly in love with a known scoundrel and manipulator called Johnny, played against type by the charming Cary Grant.

The stage sets are utterly obvious, much of the dialogue is very stilted, and the occasions of suspicion are highlighted with no subtlety, but Hitchcock manages to create a dramatic sense of anxiety, not least from repeated use of shadow lines on white floors and ceilings, evoking a spider’s web of deceit and entrapment. 

The problem with this film is the ambiguous and unsatisfactory ending which is much less dark than that in the original novel and Hitchcock’s plans for the work, but the studio RKO could not tolerate its star actor Grant being portrayed too far outside the usual moral range of his roles.


 




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