A review of the classic “Three Colours” film trilogy
“Three Colours: Blue” (1993)This was the first of a trilogy of films directed by Krzysztof Kieślowski and written by him and Krzysztof Piesiewicz. Taking their titles from the colours of the French flag and loosely inspired by the French national motto of Liberty, Equality and Fraternity, “Blue” represented liberty and is regarded as a classic. Set in Paris, the work is in the French language. Among the colour references, there is a sparkling glass hanging ornament.
Slow and portentous, this is a moving and poignant work. As Julie who loses her famous composer husband and young daughter in a car accident, Juliette Binoche is rarely off the screen and gives a wonderful performance. Music is central to her life and is used very effectively in the storyline. She proves to be an enigma, who herself has a discovery, and the main themes are those of loss, grief, and reconciliation.
“Three Colours: White” (1994)
This was the second of a trilogy of films directed by Krzysztof Kieślowski and written by him and Krzysztof Piesiewicz. Taking their titles from the colours of the French flag and loosely inspired by the French national motto of Liberty, Equality and Fraternity, “White ” represented equality and, while interesting, is not regarded as highly as “Blue” and “Red” which are genuine classics. Set predominantly in Warsaw, the work is mainly in the Polish language. Among the colour references, there is a recurring scene of a wedding.
“White” is very different in tone from “Blue” and “Red”. It is a black comedy with an element of romance that satirises the corruption of post-communist Poland where anything can be bought (even a body). Another difference is that the main character is male: Zbigniew Zamachowski as Karol, initially a simple-minded soul who finds that he is ready to do anything to win back his ex-wife (Julie Delpy).
“Three Colours: Red” (1994)
This was the third of a trilogy of films directed by Krzysztof Kieślowski and written by him and Krzysztof Piesiewicz. Taking their titles from the colours of the French flag and loosely inspired by the French national motto of Liberty, Equality and Fraternity, “Red” represented fraternity and is regarded as a classic. Set in Geneva, the work is in the French language. Among the colour references, there is a huge billboard advertisement for a brand of chewing gum.
There are two male/female interactions here, one intergenerational and non-sexual and the other more conventional and romantic, and the narrative intersects the two in an immensely moving and somewhat mystical manner. Valentine (Irène Jacob) is a good-natured young model and Joseph (Jean-Louis Trintignant) is a cynical retired judge brought together by an injured dog and a spot of spying and this unlikely couple change each other’s lives in ways that are unpredictable.
Note 1: Narratively there are only very small overlaps between the three films. In “Blue”, we briefly see a court scene featuring two of the main characters who will be in “White”. The very ending of “Red” has an incident involving the main characters of all three films.
Note 2: Each of the three films has a scene in which an elderly person attempts to place a bottle in a glass recycling bank. In the last film, the old person is helped by the lead character.
Note 3: Kieślowski announced his retirement from filmmaking after the premiere of “Red”. He died two years later.