﻿{"id":30046,"date":"2026-02-10T16:19:30","date_gmt":"2026-02-10T15:19:30","guid":{"rendered":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=30046"},"modified":"2026-02-10T16:19:30","modified_gmt":"2026-02-10T15:19:30","slug":"a-review-of-the-new-korean-film-no-other-choice","status":"publish","type":"post","link":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=30046","title":{"rendered":"A review of the new Korean film &#8220;No Other Choice&#8221;"},"content":{"rendered":"\n<p>From the Korean director of the infamous &#8220;Old Boy&#8221;, Park Chan-wook&#8217;s latest film will not be to everyone&#8217;s taste since this surreal black comedy is a tale of mayhem and murder, but it is done with some style and poses a challenging social problem: what do we do when traditional industries &#8211; in this case, paper-making &#8211; embrace robotics and artificial intelligence to such an extent that almost all the staff are &#8216;let go&#8217;? <\/p>\n\n\n\n<p>In the case of the redundant middle-manager played by Lee Byung-hun, he decides to enhance his chances of re-employment by eliminating his major competitors in the jobs market, but killing them and disposing of the evidence comes with problems in this deliciously entertaining, though rather overlong, macabre story.<\/p>\n\n\n\n<p>Note: The film is an adaptation of a 1997 novel called &#8220;The Ax&#8221; written by American author Donald E Westlake. It was previously adapted for the screen in 2005 by the Greek-French filmmaker Costa-Gavras to whom the Korean film is dedicated.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From the Korean director of the infamous &#8220;Old Boy&#8221;, Park Chan-wook&#8217;s latest film will not be to everyone&#8217;s taste since this surreal black comedy is a tale of mayhem and murder, but it is done with some style and poses a challenging social problem: what do we do when traditional industries &#8211; in this case, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-30046","post","type-post","status-publish","format-standard","hentry","category-cultural-issues"],"_links":{"self":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/30046","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=30046"}],"version-history":[{"count":1,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/30046\/revisions"}],"predecessor-version":[{"id":30047,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/30046\/revisions\/30047"}],"wp:attachment":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=30046"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=30046"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=30046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}