﻿{"id":29232,"date":"2024-05-23T23:01:55","date_gmt":"2024-05-23T22:01:55","guid":{"rendered":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=29232"},"modified":"2024-05-23T23:01:55","modified_gmt":"2024-05-23T22:01:55","slug":"a-review-of-the-new-blockbuster-movie-kingdom-of-the-planet-of-the-apes","status":"publish","type":"post","link":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=29232","title":{"rendered":"A review of the new blockbuster movie &#8220;Kingdom Of The Planet Of The Apes&#8221;"},"content":{"rendered":"\n<p>Following &#8220;Rise Of ..&#8221; (2011), &#8220;Dawn Of ..&#8221; (2014) and &#8220;War For ..&#8221; (2017), we now (2024) have the fourth film in the current series which makes a total of 10 movies in the whole &#8220;Planet Of The Apes&#8221; franchise that started as long ago as 1968 (I was in the cinema then).&nbsp;<\/p>\n\n\n\n<p>This work jumps many generations after Caesar&#8217;s death from the last in the current series to a world in which apes are well-established in a variety of different communities and humans have become feral. It tells a story of how young ape Noa (Owen Teague) befriends female human Mae (Freya Allan) and defeats tyrannical ape Proximus (Kevin Durand).&nbsp;<\/p>\n\n\n\n<p>As always, it poses questions about the thesis of species superiority and the dangers of intra-species conflict. The settings &#8211; it was filmed in Australia &#8211; and the motion capture performances are impressive and the film is a worthy addition to this successful rebooting of the franchise. But, at two and a half hours, it is another blockbuster that is simply too long.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Following &#8220;Rise Of ..&#8221; (2011), &#8220;Dawn Of ..&#8221; (2014) and &#8220;War For ..&#8221; (2017), we now (2024) have the fourth film in the current series which makes a total of 10 movies in the whole &#8220;Planet Of The Apes&#8221; franchise that started as long ago as 1968 (I was in the cinema then).&nbsp; This work [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-29232","post","type-post","status-publish","format-standard","hentry","category-cultural-issues"],"_links":{"self":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/29232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=29232"}],"version-history":[{"count":1,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/29232\/revisions"}],"predecessor-version":[{"id":29233,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/29232\/revisions\/29233"}],"wp:attachment":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=29232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=29232"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=29232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}