﻿{"id":28517,"date":"2023-03-05T15:19:58","date_gmt":"2023-03-05T14:19:58","guid":{"rendered":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=28517"},"modified":"2023-03-05T15:20:51","modified_gmt":"2023-03-05T14:20:51","slug":"a-review-pop-the-2022-korean-film-broker","status":"publish","type":"post","link":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=28517","title":{"rendered":"A review op the 2022 Korean film &#8220;Broker&#8221;"},"content":{"rendered":"\nI admired and enjoyed the 2018 Japanese film &#8220;Shoplifters&#8221; which was written and directed by Hirokazu Kore-eda. In this 2020 work &#8211; which again he both writes and directs &#8211; he switches both location and language to South Korea, although he reprises some familiar themes. \n<p>\nThe core of this story is the notion of a &#8216;baby hatch&#8217;, a place where new mothers who do not want to bring up their baby cam leave them for care in an orphanage, a practice which exists in Japan but more commonly in Korea. A worker at the church where the baby is left, a black marketeer, and the child&#8217;s mother form an unlikely team to travel round the country looking for a couple to whom to sell the baby, all the time trailed by two female cops hoping for an arrest. \n<p>\nLike &#8220;Shoplifters&#8221;, Kore-eda does not make moral judgements and shows the gradual formation of an unconventional &#8216;family&#8217; so that, despite the subject matter, there is some humour along the way and an uplifting ending.\n","protected":false},"excerpt":{"rendered":"<p>I admired and enjoyed the 2018 Japanese film &#8220;Shoplifters&#8221; which was written and directed by Hirokazu Kore-eda. In this 2020 work &#8211; which again he both writes and directs &#8211; he switches both location and language to South Korea, although he reprises some familiar themes. The core of this story is the notion of a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-28517","post","type-post","status-publish","format-standard","hentry","category-cultural-issues"],"_links":{"self":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/28517","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=28517"}],"version-history":[{"count":2,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/28517\/revisions"}],"predecessor-version":[{"id":28519,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/28517\/revisions\/28519"}],"wp:attachment":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=28517"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=28517"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=28517"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}