﻿{"id":27262,"date":"2021-09-01T07:03:31","date_gmt":"2021-09-01T06:03:31","guid":{"rendered":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=27262"},"modified":"2021-09-01T07:03:33","modified_gmt":"2021-09-01T06:03:33","slug":"a-review-of-the-novel-the-motion-of-the-body-through-space-by-lionel-shriver","status":"publish","type":"post","link":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=27262","title":{"rendered":"A review of the novel &#8220;The Motion Of The Body Through Space&#8221; by Lionel Shriver"},"content":{"rendered":"\n<p>Lionel Shriver is actually a female American novelist who, as a tomboy aged 15, informally changed her name from Margaret Ann to Lionel. She is best known for her eighth novel &#8220;We Need To Talk About Kevin&#8221; but the only previous novel of hers that I&#8217;ve read is &#8220;The Post-Birthday World&#8221; (which was I was given). &#8220;..Motion..&#8221; is her 16th novel and again I only read the work because I was given it (by the same person).&nbsp;<\/p>\n\n\n\n<p>The point of view is that of Serenata Terpsichore, a 60 year old American voiceover artist, who is married to Remington Alabaster, a transport planner, who is four years her senior. Their children are called Valeria (a born-again Christian) and Deacon (a drug dealer). There is a personal trainer called Bambi Buffer. My first problem with the book was getting over these weird names.&nbsp;<\/p>\n\n\n\n<p>Serenata has been a lifelong serious exerciser who now has to give up her regimes because of osteoarthritis but, following the loss of his job, Remington &#8211; who has previously done no exercise &#8211; decides that he is going to run a marathon which is just the start of a series of outlandish physical endeavours. The novel is partially autobiographical because Shriver herself is in her 60s and follows an obsessive exercise regime and she seems to have the self-contained, somewhat anti-social, even selfish, character of her protagonist.<\/p>\n\n\n\n<p>&#8220;..Motion..&#8221; has three themes: the adjustments that a married couple has to make as they grow older; the futility and indeed damage of extreme exercise; and the excesses of what Shriver would consider political correctness (although she never uses this term).&nbsp;<\/p>\n\n\n\n<p>As a man of a certain age who has never really exercised beyond daily walks, I warm to the first two themes but, as a political liberal, I found the third theme deeply problematic. There is a section of almost 20 pages chronicling Remington&#8217;s disciplinary hearing that cynically misrepresents efforts to increase diversity in the workplace. It does not add to the narrative but simply betrays the author&#8217;s publicly-expressed illiberal views.<\/p>\n\n\n\n<p>In an Afterword, she writes&nbsp;<em>The very best thing about getting old was basking in this great big not-giving-a-shit&#8221;<\/em>&nbsp;and records that&nbsp;<em>&#8220;Serenata was not obliged to give a flying fig about climate change, species extinction, or nuclear proliferation&#8221;<\/em>. In fact, although I too am getting old, I do very much give a shit and a flying fig about these and many other issues.<\/p>\n\n\n\n<p>Having said all this, Shriver is a fine writer with a sharp sense of wit and much of the novel is a pleasure to read if rather over-burdened with the detail of running and cycling and swimming and all three in the same event. I guess than eventually I concur with a review in the &#8220;Guardian&#8221; newspaper:&nbsp;<em>&#8220;Certainly it&#8217;s problematic &#8211; but few authors can be as entertainingly problematic as Shriver&#8221;<\/em>.<br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lionel Shriver is actually a female American novelist who, as a tomboy aged 15, informally changed her name from Margaret Ann to Lionel. She is best known for her eighth novel &#8220;We Need To Talk About Kevin&#8221; but the only previous novel of hers that I&#8217;ve read is &#8220;The Post-Birthday World&#8221; (which was I was [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-27262","post","type-post","status-publish","format-standard","hentry","category-cultural-issues"],"_links":{"self":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/27262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=27262"}],"version-history":[{"count":1,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/27262\/revisions"}],"predecessor-version":[{"id":27263,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/27262\/revisions\/27263"}],"wp:attachment":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=27262"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=27262"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=27262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}