﻿{"id":27254,"date":"2021-08-30T15:33:57","date_gmt":"2021-08-30T14:33:57","guid":{"rendered":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=27254"},"modified":"2021-08-30T15:33:59","modified_gmt":"2021-08-30T14:33:59","slug":"a-review-of-the-2018-film-destroyer","status":"publish","type":"post","link":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=27254","title":{"rendered":"A review of the 2018 film &#8220;Destroyer&#8221;"},"content":{"rendered":"\n<p>This is a police thriller with a difference: the protagonist, a detective with the Los Angeles Police Department, is a woman &#8211; brilliantly played by Nicole Kidman &#8211; and the director is also a woman &#8211; Karyn Kusama whose partner Phil Hay is co-writer. The narrative centres around two bank robberies with many of the same participants, but these heists are 16 years apart and the account of the first is told in a series of multiple flash backs which makes the story difficult to follow at times.<\/p>\n\n\n\n<p>Detective Erin Bell is not so much a hero as an anti-hero &#8211; she is not an honest cop and she is a bad wife and mother &#8211; and, in the present day scenes, the trauma is etched on her face so vividly that you&#8217;ll have never seen Kidman look so ragged and troubled.<\/p>\n\n\n\n<p>It is an atmospheric movie, splendidly shot with some striking images and gripping sound, but it is slow with relatively little action. The film had a modest budget, but performed so poorly at the box office that it only covered half its costs. For all the limitations of &#8220;Destroyer&#8221;, I would recommend it if only for Kidman&#8217;s outstanding performance.&nbsp;<br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is a police thriller with a difference: the protagonist, a detective with the Los Angeles Police Department, is a woman &#8211; brilliantly played by Nicole Kidman &#8211; and the director is also a woman &#8211; Karyn Kusama whose partner Phil Hay is co-writer. The narrative centres around two bank robberies with many of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-27254","post","type-post","status-publish","format-standard","hentry","category-cultural-issues"],"_links":{"self":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/27254","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=27254"}],"version-history":[{"count":1,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/27254\/revisions"}],"predecessor-version":[{"id":27255,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/27254\/revisions\/27255"}],"wp:attachment":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=27254"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=27254"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=27254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}