﻿{"id":27090,"date":"2021-06-15T15:04:29","date_gmt":"2021-06-15T14:04:29","guid":{"rendered":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=27090"},"modified":"2021-06-15T16:16:54","modified_gmt":"2021-06-15T15:16:54","slug":"a-review-of-the-2016-film-20th-century-women","status":"publish","type":"post","link":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=27090","title":{"rendered":"A review of the 2016 film &#8220;20th Century Women&#8221;"},"content":{"rendered":"\n<p>This 2016 movie didn&#8217;t register on my radar at all on its release but, five years later, I caught it on television during the global pandemic. It will not be to everyone&#8217;s taste because it is totally character-driven with no set action pieces &#8211; but I loved it. It is written and directed by Mike Mills, set in Santa Barbara in 1979, and very loosely based on the creator&#8217;s mother.\u00a0<\/p>\n\n\n\n<p>Dorethea (Annette Bening) is a single mother whose son Jamie (Lucas Jade Zumann) is now a 15 year old teenager and she thinks that she needs some help in assisting him to face his changing world, so she enlists her lodger Abbie (Greta Gerwig) and her son&#8217;s friend Julie (Elle Fanning). Also knocking around is handyman William (Billy Crudup). Things don&#8217;t quite work out as Dorethea intended, with Jamie supporting the women as much as they instruct him on everything from punk rock to female sexuality.&nbsp;<\/p>\n\n\n\n<p>The structure is quite post-modern with flash-backs, flash-forwards and lots of cultural references of the times (films, books, music), but that&#8217;s modern storytelling for you and, on this occasion, it really worked for me.&nbsp;<br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This 2016 movie didn&#8217;t register on my radar at all on its release but, five years later, I caught it on television during the global pandemic. It will not be to everyone&#8217;s taste because it is totally character-driven with no set action pieces &#8211; but I loved it. It is written and directed by Mike [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-27090","post","type-post","status-publish","format-standard","hentry","category-cultural-issues"],"_links":{"self":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/27090","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=27090"}],"version-history":[{"count":3,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/27090\/revisions"}],"predecessor-version":[{"id":27093,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/27090\/revisions\/27093"}],"wp:attachment":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=27090"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=27090"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=27090"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}