﻿{"id":27057,"date":"2021-06-04T08:17:12","date_gmt":"2021-06-04T07:17:12","guid":{"rendered":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=27057"},"modified":"2021-06-04T08:17:14","modified_gmt":"2021-06-04T07:17:14","slug":"a-review-of-the-2016-rom-com-mothers-day","status":"publish","type":"post","link":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=27057","title":{"rendered":"A review of the 2016 rom-com &#8220;Mother&#8217;s Day&#8221;"},"content":{"rendered":"\n<p>Who doesn&#8217;t love a good rom-com and these days the genre usually manages to include a bit of social commentary. This movie is an attempt by director Garry Marshall &#8211; who had such a huge success with &#8220;Pretty Woman&#8221; in 1990 &#8211; to follow up on the formula developed for his rom-coms &#8220;Valentine&#8217;s Day&#8221; (2010) and &#8220;New Year&#8217;s Eve&#8221; (2011). <\/p>\n\n\n\n<p>The winning formula involves multiple storylines and lots of well-known actors weaved together around a special day in the calendar. This time the cast-list includes such watchable stars as Jennifer Aniston, Kate Hudson and Julia Roberts and, although the whole thing is very middle-class and largely white, it does explore (lightly) issues such the loss of a partner through divorce or death, the loss of a child through adoption, the challenge of shared parenting, plus opposition to same-sex and inter-racial relationships. <\/p>\n\n\n\n<p>Of course, this is a money-spinning rom-com, so it all works out fine.\u00a0<br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Who doesn&#8217;t love a good rom-com and these days the genre usually manages to include a bit of social commentary. This movie is an attempt by director Garry Marshall &#8211; who had such a huge success with &#8220;Pretty Woman&#8221; in 1990 &#8211; to follow up on the formula developed for his rom-coms &#8220;Valentine&#8217;s Day&#8221; (2010) [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-27057","post","type-post","status-publish","format-standard","hentry","category-cultural-issues"],"_links":{"self":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/27057","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=27057"}],"version-history":[{"count":1,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/27057\/revisions"}],"predecessor-version":[{"id":27058,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/27057\/revisions\/27058"}],"wp:attachment":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=27057"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=27057"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=27057"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}