﻿{"id":26044,"date":"2020-07-25T14:43:23","date_gmt":"2020-07-25T13:43:23","guid":{"rendered":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=26044"},"modified":"2020-07-25T14:43:25","modified_gmt":"2020-07-25T13:43:25","slug":"a-review-of-the-new-film-clemency","status":"publish","type":"post","link":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=26044","title":{"rendered":"A review of the NEW film &#8220;Clemency&#8221;"},"content":{"rendered":"\n<p>After four months of the coronavirus lockdown, I was desperate to visit a theatre and see a new movie on the big screen. So I went to view whatever was showing on the first evening of the first cinema to open in central London. &#8220;Clemency&#8221; is hardly the most uplifting choice for such an occasion, since it is a serious and slow-moving work dealing with capital punishment in the United States and the impending execution of a black prisoner innocent of the murder for which he was convicted.\u00a0<\/p>\n\n\n\n<p>But this is an important film. both for its provenance and its subject. The writer\/director is Nigerian-American Chinonye Chukwu; the lead actor and excutive producer is African-American Alfre Woodard who is the prison warden; and most of the leading roles are black characters including Aldis Hodge as the prisoner awaiting death. We see how the death sentence can not only be a terrible misjustice but a corruption of all who find themselves part of the process. <\/p>\n\n\n\n<p>The film was released at an inauspicous time but should garner an Academy Award nomination for Woodard&#8217;s wonderful performance and stimulate further debate on this horrific practice.<br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>After four months of the coronavirus lockdown, I was desperate to visit a theatre and see a new movie on the big screen. So I went to view whatever was showing on the first evening of the first cinema to open in central London. &#8220;Clemency&#8221; is hardly the most uplifting choice for such an occasion, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-26044","post","type-post","status-publish","format-standard","hentry","category-cultural-issues"],"_links":{"self":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/26044","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=26044"}],"version-history":[{"count":1,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/26044\/revisions"}],"predecessor-version":[{"id":26045,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/26044\/revisions\/26045"}],"wp:attachment":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=26044"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=26044"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=26044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}