﻿{"id":24932,"date":"2019-08-25T13:29:38","date_gmt":"2019-08-25T12:29:38","guid":{"rendered":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=24932"},"modified":"2019-08-25T13:30:58","modified_gmt":"2019-08-25T12:30:58","slug":"a-review-of-the-1941-hitchcock-movie-suspicion","status":"publish","type":"post","link":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=24932","title":{"rendered":"A review of the 1941 Hitchcock movie &#8220;Suspicion&#8221;"},"content":{"rendered":"\n<p>There is a sense in which any film directed by Alfred Hitchcock is a classic but this is one of his lesser-known works. Set in upper-class, rural England, it stars the beautiful Joan Fontaine as Lina, an unworldly young woman who falls immediately and madly in love with a known scoundrel and manipulator called Johnny, played against type by the charming Cary Grant. <\/p>\n\n\n\n<p>The stage sets are utterly obvious, much of the dialogue is very stilted, and the occasions of suspicion are highlighted with no subtlety, but Hitchcock manages to create a dramatic sense of anxiety, not least from repeated use of shadow lines on white floors and ceilings, evoking a spider&#8217;s web of deceit and entrapment.\u00a0<\/p>\n\n\n\n<p>The problem with this film is the ambiguous and unsatisfactory ending which is much less dark than that in the original novel and Hitchcock&#8217;s plans for the work, but the studio RKO could not tolerate its star actor Grant being portrayed too far outside the usual moral range of his roles.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There is a sense in which any film directed by Alfred Hitchcock is a classic but this is one of his lesser-known works. Set in upper-class, rural England, it stars the beautiful Joan Fontaine as Lina, an unworldly young woman who falls immediately and madly in love with a known scoundrel and manipulator called Johnny, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-24932","post","type-post","status-publish","format-standard","hentry","category-cultural-issues"],"_links":{"self":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/24932","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=24932"}],"version-history":[{"count":2,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/24932\/revisions"}],"predecessor-version":[{"id":24934,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/24932\/revisions\/24934"}],"wp:attachment":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=24932"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=24932"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=24932"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}