﻿{"id":23429,"date":"2018-08-18T17:18:28","date_gmt":"2018-08-18T16:18:28","guid":{"rendered":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=23429"},"modified":"2018-08-18T20:32:47","modified_gmt":"2018-08-18T19:32:47","slug":"a-review-of-the-new-movie-the-equalizer-2","status":"publish","type":"post","link":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=23429","title":{"rendered":"A review of the new movie &#8220;The Equalizer 2&#8221;"},"content":{"rendered":"<p>In his long and distinguished career of almost 50 films, 63 year old Denzel Washington has never made a sequel &#8211; until now. Like Liam Neeson with &#8220;Taken&#8221;, he has found a money-spinning action role in later life and he&#8217;s going to run with it.<\/p>\n<p>Between the two &#8220;Equalizer&#8221; movies, Washington has turned director in &#8220;Fences&#8221; in which he was also the star, but retired CIA agent Robert McCall is a much more laconic character who speaks more through fists, guns, knives, and his old espionage skills.<\/p>\n<p>In this sequel, we have the same director (Antoine Fuqua) and the same writer (Richard Wenk) but, starting with a pre-title sequence on a train to Istanbul, the action comes earlier than in the first film and then satisfyingly often.<\/p>\n<p>This time, McCall is a cab driver in Boston who is pulled back into his old life when a former colleague meets a gruesome end in Brussels. As he performs the role of avenging angel, he manages to touch the lives of smaller folk in various acts of kindness. There&#8217;s nothing new here, but it&#8217;s a stylish work that entertains sufficiently that a third outing is assured.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In his long and distinguished career of almost 50 films, 63 year old Denzel Washington has never made a sequel &#8211; until now. Like Liam Neeson with &#8220;Taken&#8221;, he has found a money-spinning action role in later life and he&#8217;s going to run with it. Between the two &#8220;Equalizer&#8221; movies, Washington has turned director in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-23429","post","type-post","status-publish","format-standard","hentry","category-cultural-issues"],"_links":{"self":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/23429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23429"}],"version-history":[{"count":3,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/23429\/revisions"}],"predecessor-version":[{"id":23435,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/23429\/revisions\/23435"}],"wp:attachment":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23429"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}