﻿{"id":21485,"date":"2017-06-03T07:49:25","date_gmt":"2017-06-03T06:49:25","guid":{"rendered":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=21485"},"modified":"2017-06-04T15:29:56","modified_gmt":"2017-06-04T14:29:56","slug":"a-review-of-last-years-film-inferno","status":"publish","type":"post","link":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/?p=21485","title":{"rendered":"A review of last year&#8217;s film &#8220;Inferno&#8221;"},"content":{"rendered":"<p>This is the third cinematic outing for Robert Langdon, the fictional character created by the best-selling author Dan Jones. Previously we&#8217;ve had &#8220;The Da Vinci Code&#8221; (2006) and &#8220;Angels &amp; Demons&#8221; (2009). Now (2016) he&#8217;s back played again by Tom Hanks with Ron Howard again in the director&#8217;s chair but a new female accomplice, the British actress Felicity Jones.<\/p>\n<p>The stakes are absurdly high: a visionary wants to recalibrate humankind by wiping out half of it &#8211; that&#8217;s approaching 4 billion people &#8211; with a deadly virus that can only be tracked down by decoding all sorts of messages relating to Dante and the Inferno.<\/p>\n<p>I found the film visually appealling because the action takes us from Florence to Venice to Istanbul and I&#8217;ve been to all three cities and visited all the buildings featured in the plot. But it&#8217;s all very silly with dialogue full of portentous declarations about cultural artefacts, lots of running around by the principal actors, and regular twists in which the good guy\/girl becomes the bad guy\/girl and vice versa.<\/p>\n<p>Just leave your brain to one side and try to enjoy the ride.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is the third cinematic outing for Robert Langdon, the fictional character created by the best-selling author Dan Jones. Previously we&#8217;ve had &#8220;The Da Vinci Code&#8221; (2006) and &#8220;Angels &amp; Demons&#8221; (2009). Now (2016) he&#8217;s back played again by Tom Hanks with Ron Howard again in the director&#8217;s chair but a new female accomplice, the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-21485","post","type-post","status-publish","format-standard","hentry","category-cultural-issues"],"_links":{"self":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/21485","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=21485"}],"version-history":[{"count":3,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/21485\/revisions"}],"predecessor-version":[{"id":21488,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=\/wp\/v2\/posts\/21485\/revisions\/21488"}],"wp:attachment":[{"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=21485"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=21485"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.rogerdarlington.me.uk\/nighthawk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=21485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}